Sept. 6 The Place Beyond The Pines
The highly anticipated new drama from director Derek Cianfrance (“Blue Valentine”) powerfully explores the consequences of motorcycle rider Luke’s (Academy Award nominee Ryan Gosling) fateful decision to commit a crime to support his child. The incident renders him targeted by policeman Avery (Golden Globe Award nominee Bradley Cooper), and the two men become locked on a tense collision course which will have a devastating impact on both of their families in the years following.
Sept. 13 Trace
Simon (James McAvoy), a fine art auctioneer, teams up with a criminal gang to steal a Goya painting worth millions of dollars, but after suffering a blow to the head during the heist he awakens to discover he has no memory of where he hid the painting. When physical threats and torture fail to produce answers, the gang’s leader Frank (Vincent Cassel) hires hypnotherapist Elizabeth Lamb (Rosario Dawson) to delve into the darkest recesses of Simon’s psyche. As Elizabeth begins to unravel Simon’s broken subconscious, the lines between truth, suggestion, and deceit begin to blur.
Sept. 20 Mud
Mud is an adventure about two boys, Ellis and his friend Neckbone, who find a man named Mud hiding out on an island in the Mississippi. Mud describes fantastic scenarios-he killed a man in Texas and vengeful bounty hunters are coming to get him. He says he is planning to meet and escape with the love of his life, Juniper, who is waiting for him in town. Skeptical but intrigued, Ellis and Neckbone agree to help him. It isn’t long until Mud’s visions come true and their small town is besieged by a beautiful girl with a line of bounty hunters in tow
Sept. 27 The Devil’s Arithmetic
Executive producers Dustin Hoffman and Mimi Rogers present the truth of the Holocaust so a new generation can understand why it must never be forgotten. Kirsten Dunst plays Hannah, a modern teen more concerned with trends than history. During the traditional Passover dinner, she zones out as her relatives harp about concretion camps. But then Hannah passes through a portal to the past, where she becomes her own ancestor in Poland during the Nazi persecution of the Jews. The message is powerfully direct, but the film avoids extreme violence in deference to young audiences. The theme is enshrined in the Rivkah’s words: “We must stay alive to tell everyone what we’ve been through.”